Narrative Theory
Narrative is an account orf connected events. The audience needs a narrative to a film to make sense of the
plot. In all films we see a beginning, middle and an end. We understand and
construct meaning using our experience of reality and of previous texts.
Propp
Vladimir
Propp was a Russian critic. Propp was essentially interested in the narrative
of folk tales. He noticed folk tales were similar in many areas. They were
about the same basic struggles and they appeared to have stock characters. He
identified a pattern about all the folk tale characters and actions as
narrative functions.
This is the
basis Propp and most films of today follow:
The Hero – a
character that seeks something
The Villain –
who opposes or actively blocks the hero’s quest
The Donor –
who provides an object with magical properties
The
Dispatcher – who sends the hero on his/her quest via a message
The False
Hero – who disrupts the hero’s success by making false claims
The Helper –
who aids the hero
The Princess
– acts as the reward for the hero and the object of the villain’s plots
Her Father –
who acts to reward the hero for his efforts
A thriller film that
follows this guideline is Disturbia.
There are
five steps this theory follows
·
Complication
This is where
there is a state of disorder. The villain harms a member of the family. One of
the members of the family desires something. The hero is sent to get what is
desired. The hero plans action against the villain
·
Transference
The hero
leaves home. The hero is tested or attacked/ he meets the test and is given a
magical gift or helper. The hero reacts to the donor. The hero arrives at the
place he can fulfil his quest
·
Struggle
There is a
huge fight scene between the hero and the villain. The hero is hurt but he is
still able to fight. The villain is either overcome or killed. The state of
disorder is settled
·
Return
The hero
returns only to be chased out of town. The hero escapes or is rescued. The hero
arrives home and is not recognised. A false hero claims rewards. A task is set
for the hero whom he completes with some difficulty
·
Recognition
In the end
the hero is finally recognised. The false hero or villain is unmasked. The
false hero is punished and the hero attains the reward which is either the
princess of the kingdom but usually it is the princess.
Problems found with Propp’s theory
•
Propp’s
theory of narrative seems to be based in a male orientated environment (due to
his theory actually reflecting early folk tales) and as such critics often
dismiss the theory with regard to film. However, it may still be applied
because the function (rather than the gender) of characters is the basis of the
theory. E.g. the hero could be a woman; the reward could be a man. Therefore ending stereotypical narratives
•
Many critics suggest that Propp’s strict order of
characters and events is restrictive. We should rather apply the functions and
events randomly as we meet new narratives. E.g. the hero may kill the villain
earlier than Propp expects. Changing the traditional format will change the
whole way the text is received and therefore not making the narrative of the story predictible.
•
Some critics claim there are many more character types
than Propp suggests. E.g. the stooge
in a sci-fi film, who is usually nameless and usually killed early on to
suggest the power of the alien force, is a typical modern character type.
Todorov
Tzvetan
Todorov simplified the idea of narrative theory whilst also allowing a more
complex interpretation of film texts with his theory of a balanced and
unbalanced narrative
His theory is
a lot simpler.
In the
beginning there is a state of harmony and balance but all of a sudden there is
a disruption of that order by an event that happens making it unbalanced.
People begin to realise that the disorder has occurred. Then the try and fix
the problem which either results in it being fixed and the balance is restored
or a new balance is created.
Thriller Films that
follow Todorovs theory are the James bond films. this clip is of Quantum of Solace the car chase scene
My Narrative
My narrative
is a story of 5 people. Everything was normal in balance until someone new came
along. He was mentally ill and those 5 people bullied him. Physically and
mentally scarred him. He couldn’t take any more. He swore to get revenge on
those 5 people and started to plot his own back. Little did those 5 people know
he was plotting to kill them. 1 by 1 they were dying until there was 1 left. On
the run from the mentally ill person the 1 person has no one to run to and
nowhere to hide. This narrative I feel follows Todorovs theory as everything
starts off normal and in balanced but then the balance is disrupted due of the
bullying. They realise they are in trouble when he started to kill. And after
he has killed all of them, a new sense of balance is restored in the mentally
ill man's mind
A good post here on narrative theory. Propp is discussed well and there is some refernce to thrillers.
ReplyDeleteTo imrpove;
-Aristotle?
-relate more to thrillers and structures they tend to take